Publishers Get One Step Closer To Killing Libraries

from the fair-use-needs-to-mean-something dept

Last Monday was the day of the oral arguments in the Big Publishers’ lawsuit against libraries in the form of the Internet Archive. As we noted mid-week, publishers won’t quit until libraries are dead. And they got one step closer to that goal on Friday, when Judge John Koetl wasted no time in rejecting every single one of the Internet Archive’s arguments.

The fact that the ruling came out on the Friday after the Monday oral arguments suggests pretty strongly that Judge Koeltl had his mind made up pretty quickly and was ready to kill a library with little delay. Of course, as we noted just last Wednesday, whoever lost at this stage was going to appeal, and the really important stuff was absolutely going to happen at the 2nd Circuit appeals court. It’s just that now the Internet Archives, and a bunch of important copyright concepts, are already starting to be knocked down a few levels.

I’ve heard from multiple people claiming that of course the Internet Archive was going to lose, because it was scanning books (!!) and lending them out and how could that be legal? But, the answer, as we explained multiple times, is that every piece of this copyright puzzle had already been deemed legal.

And the Internet Archive didn’t just jump into this without any thought. Two of the most well known legal scholars regarding copyright and libraries, David Hansen and Kyle Courtney, had written a white paper detailing exactly how and why the approach the Internet Archive took with Controlled Digital Lending easily fit within the existing contours and precedents of copyright law.

But, as we and others have discussed for ages, in the copyright world, there’s a long history of courts ignoring what the law actually says and just coming up with some way to say something is infringement if it feels wrong to them. And that’s what happened here.

A key part of the ruling, as in a large percentage of cases that are about fair use, is looking at whether or not the use of the copy is “transformative.” Judge Koeltl is 100% positive it is not transformative.

There is nothing transformative about IA’s copying and unauthorized lending of the Works in Suit.7 IA does not reproduce the Works in Suit to provide criticism, commentary, or information about them. See 17 U.S.C. § 107. IA’s ebooks do not “add[] something new, with a further purpose or different character, altering the [originals] with new expression, meaning or message.” Campbell, 510 U.S. at 579. IA simply scans the Works in Suit to become ebooks and lends them to users of its Website for free. But a copyright holder holds the “exclusive[] right” to prepare, display, and distribute “derivative works based upon the copyrighted work.”

But… there’s a lot more to “transformative” use than simply adding something new or altering the meaning. In many cases, fair use is found in cases where you’re copying the exact same content, but for a different purpose, and the Internet Archive’s usage here seems pretty clearly transformative in that it’s changing the way the book can be consumed to make it easier for libraries to lend it out and patrons to read it. That is, the “transformation” is in the way the book can be lent, not the content of the book.

I know many people find this strange (and the judge did here as well) saying things like “but it’s the whole work.” Or “the use is the same because it’s still just reading the book.” But the Supreme Court already said, quite clearly, that such situations can be fair use, such as in the Sony v. Universal case that decided VCRs were legal, and that time shifting TV shows was clear fair use. In that ruling, they even cite Congress noting that “making a copy of a copyright work for… convenience” can be considered fair use.

Unfortunately, Judge Koeltl effectively chops away a huge part of the Sony ruling in insisting that this is somehow different.

But Sony is plainly inapposite. IA is not comparable to the parties in Sony — either to Sony, the alleged contributory copyright infringer, or to the home viewers who used the Betamax machine for the noncommercial, nonprofit activity of watching television programs at home. Unlike Sony, which only sold the machines, IA scans a massive number of copies of books and makes them available to patrons rather than purchasing ebook licenses from the Publishers. IA is also unlike the home viewers in Sony, who engaged in the “noncommercial, nonprofit activity” of viewing at a more convenient time television programs that they had the right to view for free at the time they were originally broadcast. 464 U.S. at 449. The home viewers were not accused of making their television programs available to the general public. Although IA has the right to lend print books it lawfully acquired, it does not have the right to scan those books and lend the digital copies en masse.

But note what the Judge did here. Rather than rely on the text of what the Supreme Court actually said in Sony, he insists that he won’t apply the rules of Sony because the parties are different. But if the basic concepts and actions are covered by the Sony ruling, it seems silly to ignore them here as the judge did.

And the differences highlighted by the court here have no bearing on the actual issues and the specifics of fair use and the law. I mean, first of all, the fact that Koeltl claims that the Internet Archive is not engaged in “noncommercial, nonprofit activity” is just weird. The Internet Archive is absolutely engaged in noncommerical, nonprofit activity.

The other distinctions are meaningless as well. No, IA is not building devices for people to buy, but in many ways IA’s position here should be seen as stronger than Sony’s because Sony actually was a commercial operation, and IA is literally acting as a library, increasing the convenience for its patrons, and doing so in a manner that is identical to lending out physical books. Sony created a machine, Betamax, that copied TV shows and allowed those who bought those machines to watch the show at a more convenient time. IA created a machine that copies books, and allows library patrons to access those books in a more convenient way.

Also, the Betamax (and VCR) were just as “available to the general public” as the Internet Archive is. The idea that they are substantially different is just… weird. And strikes me as pretty clearly wrong.

There’s another precedential oddity in the ruling. It relies pretty heavily on the somewhat terrible fair use ruling in the 2nd Circuit in the Warhol Foundation v. Goldsmith case. That case was so terrible that we (at the Copia Institute) weighed in with the Supreme Court to let them know how problematic it was, and the Supreme Court is still sitting on a decision in that case.

Which means the Supreme Court is soon to rule on it, and that could very much change or obliterate the case that Judge Koeltl leans on heavily for his ruling.

Here, Judge Koeltl repeatedly goes back to the Warhol well to make various arguments, especially around the question of the fourth fair use factor: the effect on the market. To me, this clearly weighs towards fair use, because it’s no different than a regular library. Libraries are allowed to buy (or receive donated) books and lend them out. That’s all the Open Library does here. So to argue there’s a negative impact on the market, the publishers rely on the fact that they’ve been able to twist and bend copyright law so much that they’ve created a new, extortionate market in ebook “licenses,” and then play all sorts of games to force people to buy the books rather than check them out of the library.

Judge Koeltl seems particularly worried about how much damage this could do this artificially inflated market:

It is equally clear that if IA’s conduct “becomes widespread, it will adversely affect the potential market for the” Works in Suit. Andy Warhol Found., 11 F.4th at 48. IA could expand the Open Libraries project far beyond the current contributing partners, allowing new partners to contribute many more concurrent copies of the Works in Suit to increase the loan count. New organizations like IA also could emerge to perform similar functions, further diverting potential readers and libraries from accessing authorized library ebooks from the Publishers. This plainly risks expanded future displacement of the Publishers’ potential revenues.

But go back and read that paragraph again, and replace the key words to read that if libraries become widespread, it will adversely affect the potential market for buying books in bookstores… because libraries would be “diverting potential readers” from purchasing physical books, which “plainly risks expanded future displacement of the Publishers’ potential revenues.”

Again, the argument here is effectively that libraries themselves shouldn’t be allowed. And that seems like a problem?

Koeltl also falls into the ridiculous trap of saying that “you can’t compete with free” and that libraries will favor CDL-scanned books over licensed ones:

An accused infringer usurps an existing market “where the infringer’s target audience and the nature of the infringing content is the same as the original.” Cariou, 714 F.3d at 709; see also Andy Warhol Found., 11 F.4th at 50. That is the case here. For libraries that are entitled to partner with IA because they own print copies of books in IA’s collection, it is patently more desirable to offer IA’s bootleg ebooks than to pay for authorized ebook licenses. To state the obvious, “[i]t is difficult to compete with a product offered for free.” Sony BMG Music Ent. v. Tenenbaum, 672 F. Supp. 2d 217, 231 (D. Mass. 2009).

Except that’s literally wrong. The licensed ebooks have many features that the scanned ones don’t. And many people (myself included!) prefer to check out licensed ebooks from our local libraries rather than the CDL ones, because they’re more readable. My own library offers the ability to check out books from either one, and defaults to recommending the licensed ebooks, because they’re a better customer experience, which is how tons of products “compete with free” all the time.

I mean, not to be simplistic here, but the bottled water business in the US is an over $90 billion market for something most people can get for free (or effectively free) from the tap. That’s three times the size of the book publishing market. So, uh, maybe don’t say “it’s difficult to compete with free.” Other industries do it just fine. The publishers are just being lazy.

Besides, based on this interpretation of Warhol, basically anyone can destroy fair use by simply making up some new, crazy, ridiculously priced, highly restrictive license that covers the same space as the fair use alternative, and claim that the alternative destroys the “market” for this ridiculous license. That can’t be how fair use works.

Anyway, one hopes first that the Supreme Court rejects the terrible 2nd Circuit ruling in the Warhol Foundation case, and that this in turn forces Judge Koeltl to reconsider his argument. But given the pretzel he twisted himself into to ignore the Betamax case, it seems likely he’d still find against libraries like the Internet Archive.

Given that, it’s going to be important that the 2nd Circuit get this one right. As the Internet Archive’s Brewster Kahle said in a statement on the ruling:

“Libraries are more than the customer service departments for corporate database products. For democracy to thrive at global scale, libraries must be able to sustain their historic role in society—owning, preserving, and lending books.

This ruling is a blow for libraries, readers, and authors and we plan to appeal it.”

What happens next is going to be critical to the future of copyright online. Already people have pointed out how some of the verbiage in this ruling could have wide reaching impact on questions about copyright in generative AI products or many other kinds of fair use cases.

One hopes that the panel on the 2nd Circuit doesn’t breezily dismiss these issues like Judge Koeltl did.

Filed Under: , , , , , , ,
Companies: association of american publishers, internet archive

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Comments on “Publishers Get One Step Closer To Killing Libraries”

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38 Comments
Anonymous Coward says:

The court’s decision is self-contradictory, as well:

There is nothing transformative about IA’s copying and unauthorized lending of the Works in Suit.

If there is nothing transformative about IA’s action, then … in what way does the lending require authorization? If “copying and (unauthorized) lending” is not transformative, does that not mean it is equivalent to lending the original book (which is NOT lent out, in the mean time)?

The decision seems to hinge on “the property being copied”, which does not change the mechanics of the situation.

HotHead (profile) says:

Re:

If there is nothing transformative about IA’s action, then … in what way does the lending require authorization? If “copying and (unauthorized) lending” is not transformative, does that not mean it is equivalent to lending the original book (which is NOT lent out, in the mean time)?

Mike mentioned that Judge John Koetl focused on the “content” part of transformativeness and overlooked the “purpose” part. Judge Koetl wasn’t contradicting himself, but rather leaving out an important aspect of what “transformative” means.

Anonymous Coward says:

a bunch of important copyright concepts, are already starting to be knocked down a few levels.

But the idea that DRM makes it okay to copy stuff is an invention that we should not want enshrined into law. For whatever reason, the thing we’d call DRM in any other context is being called “controlled digital lending” by many people in this case, as if it’s something different and better. It’s not, and DRM is never okay.

The idea of “lending” digital works has always been ridiculous. What we really need is a result saying that it’s okay for libraries to copy stuff, and forget about all this DRM and pretense. Library Genesis has it right.

But as I’ve said before, when even authors such as Cory Doctorow are willing to deal with asshole companies and put stuff under restrictive copyright for the right price, and fans are willing to fork over money (or have their libraries do it) to the same companies under those conditions, where’s the incentive to change? It seems that everyone’s fine with less-restrictive conditions (Creative Commons etc.) being used as a gimmick to attract fans, and then forgotten about.

Samuel Abram (profile) says:

Re:

when even authors such as Cory Doctorow are willing to deal with asshole companies and put stuff under restrictive copyright for the right price, and fans are willing to fork over money (or have their libraries do it) to the same companies under those conditions, where’s the incentive to change? It seems that everyone’s fine with less-restrictive conditions (Creative Commons etc.) being used as a gimmick to attract fans, and then forgotten about.

Cory hasn’t given up on Creative Commons (completely, at least). Check out this paragraph from his current crowdfunding campaign:

Three backers can commission a Marty Hench short story on a finance scam of their choosing, subject to our mutual agreement. I’ll place these stories in magazines or anthologies, or, failing that, release them under Creative Commons (every short story I’ve written for more than 20 years has sold, but you never know!). Your name will feature prominently in the publication.

Anonymous Coward says:

Re: Re:

Cory hasn’t given up on Creative Commons

Of course not! Cory’s been one of its most vocal supporters, and a frequent criticizer of restrictive copyright terms and the fan-abusive actions taken by publishers to uphold said terms. Your comment is a bit of a tangent from the main point, and I certainly don’t mean to pick on Cory (I understand there are financial and other concerns, and I’ve sold out too in the past).

My point, though, was that if the biggest CC supporter is told by a publisher “we’re not gonna publish under CC”, and the response is to grant permission to publish under very restrictive terms… it does not breed optimism, at the very least. Cory’s probably the best-positioned person in the world to tell them “that’s unacceptable, and I’ll self-publish directly to fans if I have to”. Combined with the fans giving money despite the restrictive terms, it doesn’t seem like there’s any serious and organized opposition to restrictive copyright, does it? People, including authors, sometimes write letters decrying the actions of their business partners, but few are willing to leave this apparently-abusive relationship.

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Anonymous Coward says:

This plainly risks expanded future displacement of the Publishers’ potential revenues.

The publishers wish to keep, what is an effectively unlimited resource, as a limited resource. They are also claiming that the law should protect their income. What will the do if lending libraries start lending, or even distribution self published works? That is what will in the end diminish their actual revenue.

This comment has been deemed insightful by the community.
@heroicendeavour says:

Basically this says it’s not fair use b/c it’s not transformative or non-commercial, even though it is non-commercial; there’s ‘profit’ even though there’s no profit; and there’s market harm even though there’s no evidence of market harm b/c it’s not fair use, rinse repeat…

Anonymous Coward says:

*For libraries that are entitled to partner with IA because they own print copies of books in IA’s collection, it is patently more desirable to offer IA’s bootleg ebooks than to pay for authorized ebook licenses. *

Apparently, libraries are only ok if they spread out and geographically locked.

i like the way he just begs the question by throwing bootleg in there.

Anathema Device (profile) says:

This is obviously a legally horrible decision, and hurts the IA which is a global treasure and should be protected at all costs.

But I can’t even see how it benefits the publishers.

I’ve said here before that ebook pirates don’t covert to paying customers because that’s not something they want to do. Cutting off their supply doesn’t suddenly open up a whole new market for creators.

The same is true for people who want to borrow a book by a new author to read it before buying it. (I’ll also repeat for the slow of understanding that I completely support library ebook lending and deplore all attempts to restrict that or impose fees for repeat use. And I also support the right of first purchase for physical books to be lent and resold.)

There are very few authors who are so wonderful that if a prospective reader can’t try them out first, they will eagerly hand over $20 for a Kindle version or ebook just to see if they like their work. (And if you think you’re the exception, you’re wrong.) This is particularly true for popular genre works, where the big money is for publishers.

Like the attempt to make providing ebooks for other libraries more costly, all this decision is likely to do is drive down the habit of reading fiction for that very segment of the audience who are the most devoted readers and fans – the kind of people who make multiple purchases of books to give as gifts, and the kind of readers who enthusiastically boost and review the books they love to other readers. Any author who values a few dollars in royalties (or sucking up to their publisher) over keeping their audience enthused and happy, needs to have their head read because they’re bonkers.

I don’t know who this judge is, but he sounds like yet another useless, fanatic Trump appointee trying to change established law to suit his own theories. America is going to suffer badly from the Trump era for decades because of these people.

I hope the 2nd Circuit smashes this decision to bits.

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Samuel Abram (profile) says:

Re: Re: Re:

It’s actually not that surprising given Bill Clinton’s record on Copyright. The Sonny Bono 20-year term extension was passed in his administration, and Notorious R.B.G. (who has a terrible record on Copyright) was appointed by him to the SCOTUS.

So, this is within character.

Anonymous Coward says:

Re:

I’ve said here before that ebook pirates don’t covert to paying customers because that’s not something they want to do. Cutting off their supply doesn’t suddenly open up a whole new market for creators.

I would convert if they stopped being intellectual propertarians and offered shit without DRM. Moving the other direction guarantees I will pirate

Anonymous Coward says:

Re:

I’ve said here before that ebook pirates don’t covert to paying customers because that’s not something they want to do.

They will not pay for every book that they read, or support every author whose works they sample, but they are often buy a lot of books. Without cheap second hand books, libraries, and even piracy, there would be far fewer sales of books, because new books are cost a bit much for a gamble on them being of interest to the buyer.

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That One Guy (profile) says:

Well that's one way to tell libraries 'only buy paper books'

And here we see a quartet of publishers and an agreeable judge take a significant step forward in ensuring that while libraries might have been an enshrined part of society for ages before this point they absolutely will not be going forward.

Way to confirm with no ambiguity that the ‘if libraries didn’t already exist publishers would never allow them to be created’ saying is vastly understating it.

Anathema Device (profile) says:

Re:

The first public lending libraries were for paid subscribers.

Tax payers and the government have taken over the cost for individuals. I hope we don’t return to the state of things in the early nineteenth century because that will substantially reduce access, and then where will these precious publisher profits come from?

This comment has been deemed insightful by the community.
Flower Village (profile) says:

Judge John Koeltl ruled in favor of Fair Use in the Warhol case

It’s interesting that this same judge, John Koeltl, ruled in favor of fair use in the Warhol case, only to be overturned by the 2nd circuit.

As you mentioned, the case now sits before SCOTUS.

https://law.justia.com/cases/federal/district-courts/new-york/nysdce/1:2017cv02532/472094/84/

Was Judge Koeltl so burned that he is over-compensating here?

Titleknown says:

How does the Napster case put a wrench in things?

Forgive me for being dumb, but doesn’t A&M Records, Inc. v. Napster, Inc specifically say that this kind of digitization for redistribution isn’t transformative?

Like, it feels like that’s the precedent being drawn on, even though it’s garbage and monstrous, and I’m genuinely not sure what about the Archive’s work might pre-empt that?

Either way, god I wish we could actually get some legislation passed to roll back copyright law instead of pushing it forward. But people’re probably going to have to [REDACTED] a whole lot more lobbyists before that happens…

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HotHead (profile) says:

Re:

The Internet Archive is not redistributing books. It’s lending them the same way any library lends physical books: the library temporarily lets a library patron use a book already in the library’s legal possession (i.e. the library bought and owns the book). Until the patron returns the book, another patron can’t check out the same copy of the book.

Controlled Digital Lending (CDL) uses DRM, which prevents people from copying digital files and restricts which software people can use to read the files. Each book scanned and then lent using CDL cannot be lent to another person before the lent book has been returned. If a scanned version of a book gets lent out, then the physical counterpart of the scanned copy can’t be lent out at the same time. If the physical counterpart gets lent out instead, then the scanned counterpart can’t be lent out at the same time. The Internet Archive jumps through this self-imposed hoop to make its CDL system equivalent to the physical lending that libraries have been doing for decades.

Anonymous Coward says:

Re: Re:

The Internet Archive jumps through this self-imposed hoop to make its CDL system equivalent to the physical lending that libraries have been doing for decades.

But, ultimately, it’s not equivalent. Libaries do not have to copy physical books to lend them out, which means this activity is unaffected by copyright law (in the USA). That’s why they’re getting so screwed by the publishers with regards to e-books: those usually do involve making a copy, and unless that’s ruled fair use, libraries can’t do it without permission. Applying user-hostile technology doesn’t change that.

Probably if the libraries legally purchased DRM-free e-books, saving them directly onto USB sticks, they could then lend out those sticks. After all, they can lend music CDs and DVDs without any trouble, even though people could easily copy those (as I did when I was a university student—but the library didn’t break any law).

Stephen T. Stone (profile) says:

Re: Re: Re:

if the libraries legally purchased DRM-free e-books, saving them directly onto USB sticks, they could then lend out those sticks

They could. But they won’t. What library would dare to risk the wrath of the publishing companies, given how libraries are already under attack across the country for being “too woke”?

Anonymous Coward says:

Re: Re: Re:2

They could. But they won’t.

Could they, though? That is, are most of the books they’d want to lend available (officially) DRM-free in the first place? (DRM, presumably, would aim to prevent the file from working on computers unassociated with the purchaser.)

I don’t know what “too woke” thing you’re referring to; but, historically, not all librarians shy away from fights. Remember all the ones that said they’d stand up to the government when the Patriot Act was passed? (Library systems were adjusted to retain less data on borrowers, warrant canaries were posted, etc.) And it seems that whenever some group tries to ban a book, one can find a group of librarians fighting it.

Stephen T. Stone (profile) says:

Re: Re: Re:3

I don’t know what “too woke” thing you’re referring to; but, historically, not all librarians shy away from fights.

Wanting to fight a bunch of right-wing dipshits is one thing. Wanting to fight the major book publishers is a whole other ballgame where one “team” has enough money to wipe the other “team” out before the game even begins. Wanting to fight both of those groups at the same time is tantamount to committing career suicide (if not ringing the death knell for any library that dares make the attempt). Librarians don’t tend to go looking for fights⁠—especially with major multinational corporations who regularly buy and sell people like you and me for shits’n’giggles.

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Zane (profile) says:

To soon, too far

There couldn’t really be an other outcome, copyright law is very clear about this. True libraries tend to work within the confines of the law. I think this is an own goal, push to far, then you risk ending your “library”.

The Sony Vs Universal case is not at all relevant. A true comparison would be a photocopier to a VCR. You find photocopiers in every public library. There’s just a sign saying how you can’t photocopy a certain percentage of a book.

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